Monday, January 11, 2010

Jennifer Smith lends her polished voice and members of Naked Blue

Jennifer Smith not only brought her polished voice to Heroes and Legends but her whole band.

Mike Davis known not only for his thoughtful bass lines but also for his undesea adventures blends many of the pieces with his talented purposeful playing and chooses the right instrument for the right song, from fretless to fret full Mike plays the funk and the ballad with equal testimont.

John Thomakos has been their rythym maker through the years and wouldnt miss a project that the band advocates, his busy schedule from teacher to road smasher with Cirque di Soleil has made this a fortunate project.

Here's more on Naked Blue and the Smith team's initiatives.

Borrowing from the Americana tradition, but firmly grounded with a pleasing pop sensibility, the performing songwriter team, Jen and Scott Smith, and their band, Naked Blue, have become one of the most successful independent acts in the Mid-Atlantic. In May 2003 they celebrated their 5th CD release, Five by Five, which has sold thousands of copies to date. Paste Magazine says: "Naked Blue has that universal appeal musicians yearn for....will make you want to dance and cry.."Naked Blue has appeared on CNBC's 'After Hours' and numerous other AAA and community radio and tv programs in the U.S., Europe and U.K. Some highlights of the 2003 tour included shows from New York to Atlanta to Los Angeles at the Keswick Theater, The Forum, The Birchmere, The Rams Head Stage, Scottish Rite Auditorium, The Bitter End, The Avalon Theatre, The Rosebud, Eddies Attic, and Gengis Cohen. "Jen & Scott share the evening with their audience like old friends. No wonder reservations flooded in to sell out the show." Phil & Ilene White, Presenters, House in the Woods.Jen & Scott's songwriting credits include cuts on Evangeline's 'French Quarter Moon' Margaritaville/MCA, Troy Turner's latest single on Telarc Records and spots on The Young & the Restless, Brooklyn South, Jack & Jill, That's Life and the films The Girl Next Door, About Sarah, The Smokers and Second to Die.Awards include Washington Area Musician's Association Best Female vocalist in the Rock/Pop, Roots Rock and Contemporary Folk catagories as well as Music Monthy Magazines Best in Genre and Best Folk Group.
"With the release of their new CD, Five by Five, Naked Blue has established itself as a vital player on the folk-pop scene." Metro Beat

Friday, January 8, 2010

John Cocuzzi-Virtuoso, Prodigy, Emprasario

John Cocuzzi Biography • Articles • Reviews
Alan [Dale] andJohn [Cocuzzi]reflect the honestyand purity of good,hard-swingingmusic. TheseGentlemen of Jazzare both preservingand invigoratingwhat has becomea perishable art.
— LOUIE BELLSONDrummer forLouis Armstrong,Lionel Hampton,Duke Ellington,Count Basie,Benny Goodman,Tommy Dorsey,Harry James,Woody Herman,and others.

"Versatility, virtuosity and passion"IN THE SPIRIT OF LOUIS ARMSTRONGIntro paragraph for promo bio (150 word count)
Swingster John Cocuzzi has New Orleans flavor and East Coast flair, playing with passion and intensity on piano, vibes and drums. For more than 25 years, John has been entertaining crowds in the Washington, DC area and performing alongside jazz and blues greats at festivals across the United States and in Europe. With dynamic style and diverse rhythms, John's innovation breathes new life into familiar tunes, from swingin' and burnin' jazz and blues to lush and sultry ballads. An intuitive performer, John possesses that musical "fire in the belly," igniting the crowd with skillful improvisation, "telling his story" through spirited, high-energy solos. In addition to being a fine pianist, John has earned a nationwide reputation as a premier swing vibraphonist. He now lives in Northern California, spreading the jazz/blues/swing gospel in the Sacramento area as a soloist and bandleader, and working with the finest musicians in town. Famous jazz drummer Louie Bellson called John a "Gentleman of Jazz" and hired John's band to perform at his wedding reception in 1992. Click here to view the names of musicians John has worked with over the years.
Jazz journalist Cam Miller wrote: "His command of a vibraphone and piano, as well as being a fine 'shy-guy' vocalist, make him a triple-threat musician whose enthusiasm and engaging personality brighten any room in which he performs."

Click here to read What Others SayAbout John Cocuzzi

Partial list of past PERFORMANCEVENUES
Partial list ofMUSICIANS
NEWS Releases

"Besides having amarvelous earfor harmony,John Cocuzzi hasfire, enthusiasm,and speed." — STEVE JORDANGuitarist forBenny Goodman,Stan Kenton, Artie Shaw

"Versatility, virtuosityand passion:This is whatyou need to knowabout the musicof John Cocuzzi."— JEFF BARNHARTJazz pianist

"John Cocuzzi isa fabulous musicianand entertainer whocan do it all—vibes,piano and vocals."— DAVID COOPERDirectorSan Diego Jazz Party

John Cocuzzi was born in the '60s at Andrews Air Force Base, just outside Washington, DC. His father, Frank Cocuzzi, had been a percussionist for the U.S. Marine Band and was a professional jazz drummer. Growing up, John would accompany his dad and sit-in at jam sessions with the older players. As a young man exposed to great jazz, John was able to get acquainted with these players and their music. There was live music everywhere he went, leading him to his musical life path. John soon established himself as a dynamic stylist and multi-instrumentalist in the Washington, DC area.
First a drummer, then a piano player, John didn't add the vibraphone till his late teens when he was inspired by Lionel Hampton recordings. Drumming greatly influenced John's rhythmic versatility on piano and vibes. Cocuzzi's piano work is influenced by Jelly Roll Morton, Thomas "Fats" Waller, Mead "LUX" Lewis, Professor Longhair, Nat "King" Cole, James Booker, and Erroll Garner. One can also hear echoes of Gene Harris and Dave McKenna in John's playing. His vibraphone influences include Lionel Hampton, Red Norvo, and Milt Jackson. His vocal influences are New Orleans jazz and blues stylists, but John also has his own shy-guy style on ballads. He enjoys making old songs new by creatively introducing fresh rhythms and honoring the rhythms of New Orleans in the spirit of Louis Armstrong.
Lionel Hampton
For 15 years, John was Music Director for the 219 Restaurant’s Basin Street Lounge in Old Town, Alexandria, VA. He was also Music Director for the Crystal City Jazz Celebration, a jazz party in the DC area, where John worked since its inception in 2003 through 2006, presenting the best artists in classic jazz today. In 2009, John became VP of the Sac. Trad. Jazz Society, which produces the Sacramento Jazz Jubilee.
John has been working as both sideman and leader with top musicians since the mid-1980s and continues to attract new fans wherever the music takes him, whether its cross-country with Ed Polcer's All-Stars or Allan Vaché's "Benny Goodman Tribute," or to Europe with the Joe Ascione Quartet. In the DC area, John appeared with his own trio/quartet and performed at the John F. Kennedy Center for the Performing Arts, the Smithsonian’s IMAX Jazz Café, the Corcoran Art Gallery, and Blues Alley, Washington DC’s premier jazz club. He has also performed at the Lincoln Center in New York City, the Joseph Meyerhoff Symphony Hall in Baltimore, MD, Snug Harbor and the Palm Court Jazz Café in New Orleans, Catalina Jazz Club in Hollywood, and Marian's Jazz Room in Bern, Switzerland.
IN GOOD COMPANYJohn has been blessed to perform and/or record with numerousjazz and blues greats — listed alphabeticallyClick on the w to visit their website

IN JOHN'S WORDS:“My fatheralways wantedto learn the piano butdidn’t really have anopportunity to do soin his childhood,so he got pianolessons for me whenI was 8 years old.I studied with myfirst teacher,Mrs. Sturgis,in Cheverly, MD.(Thank youMrs. Sturgis!)I had a lesson everySaturday morningat her house.Then, I studiedwith Mr. Pollackfor 6 years.(Thank youMr. Pollack!)When I heard his8-year-old sonplay Bach on the'good' piano upstairs,I realizedI wasn’t cut out to bea classical pianist,so I spent my timelearning andlistening to jazz.Mr. Pollackfinally lost patiencewith me improvisingBach’s music,and the restis history." —JOHN COCUZZI

BLUES LEGENDS “Weeping” Tommy BrownFloyd DixonEarl KingJimmy McCracklinJimmy “T-99” Nelson
PLUS OTHER GREATS OFBLUES and JUMP BLUES:"Little Charlie" BatyMookie BrillJaniva Magness "Big Joe" Maher w Kevin McKendree w Bob Seeley
• • • • •

VOCALSTerry Blaine wYve Evans w Banu Gibson Rebecca Kilgore wVivian Lee w Brady McKay w Barbara Morrison w Daryl Sherman

PIANOJeff BarnhartJohn BunchJudy Carmichael w Skitch Henderson Eddie HigginsTom Hook Dick HymanJim Martinez w Mark ShaneJohn SheridanRossano Sportiello w Ray TemplinJohnny Varro

JAZZ LEGENDSLouis Bellson, drKeter Betts, bBilly Butterfield, tptDoc Cheatham, tptBarrett Deems, drBob Haggart, bSkitch Henderson, composer, arranger, conductor, pianistMilt Hinton, bSteve Jordan, gtr w Snooky Young, tpt• • • • •

VIBRAPHONEPeter Appleyard Chuck Redd w

VIOLINJohnny FrigoAndy Stein

GUITARHoward Alden w James ChirilloJoe CohnVinnie CorraoEddie EricksonMarty GroszSteve Homan w Steve JordanJerry KrahnRussell MaloneBucky PizzarelliJohn Pizzarelli w

TRUMPET / CORNET Billy ButterfieldDoc Cheatham, tpt Jackie Coon (flugelhorn) Jim Cullum w Duke Heitger Clyde HuntJon-Erik Kellso w Ed Polcer w Randy ReinhartRandy SandkeTom SaundersBob Schulz Bria Skonberg w Byron StriplingWarren Vaché w Snooky Young Joe Wilder

TROMBONEBill AllredJohn Allred w Dan Barrett wWycliffe Gordon w Bob HavensGeorge MassoRuss Phillips w Mike Rinta

BASSKeter Betts Andy CleyndertFrank TatePhil FlaniganVince GiordanoBob Haggart Milt Hinton Paul Keller w Kristin Korb Jennifer Leitham wChris LutyNicki Parrott w John Previti wRichard Simon w Murray Wall

CLARINET(See below for Clarinet/Sax) Evan ChristopherKim CusackBob Draga Bobby GordonChuck Hedges Eric SchneiderAllan Vaché w

CLARINET / SAX Harry Allen w John AltmanDan BlockAnat Cohen Kenny DavernTom FischerJim GallowayRed HollowayDan Levinson w Mike McMullenTommy Newsom Joep Peeters Ken Peplowski w Houston Person w Scott RobinsonFrank RoberscheutenAntti SarpillaBob Wilber

DRUMSJoe Ascione wLouie Bellson Frank Cocuzzi w Danny CootsBarrett Deems Gerald FrenchJake HannaAli Jackson Eddie LockeEd Metz, Jr. w Butch MilesBobby RosengardenPete Siers

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On radio, John recorded a session for NPR’s “Riverwalk: Live at The Landing” with the Jim Cullum Band. It was a tribute to Benny Goodman, “The Swing Shift: Jazz on Late-Night Radio,” and featured Allan Vaché on clarinet with Nicholas Payton on trumpet.
National tours with Ed Polcer have included educational programs for grades K-12 and college level clinics involving demonstrations, information, technique, and performance. They discuss America’s original art form—jazz and blues—and the instruments and musicians that made classic jazz what it is today.
John also does composing and arranging for jazz and other styles, and he does studio recording/mixing for classic jazz and swing. Visit the MUSIC page to hear samples of some of his recordings.
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Articles, News, and Reviews
REVIEW - CONCERT: John Cocuzzi Quartet in Sac., CABy Vivian Lee
REVIEW - CONCERT: "Sunday Eve. Jazz" at JB's in Sac., CA By Vivian Lee
REVIEW - CONCERT: John Cocuzzi for STJS – AATJBy Judy Hendricks
REVIEW – CD: "Swingin' and Burnin'" – All About JazzBy Dave Nathan
REVIEW – CD: "Swingin' and Burnin'" – epinions.comBy Mike Holmes
REVIEW – CD: "LIVE! In Cactus Country" – L.A. Jazz SceneBy Harvey Barkan
REVIEW – CD: "Swingin' and Burnin'"Assorted from The Absolute Sound, Jazz Times, and CMJ New Music Report
REVIEW – CD: "We Got Rhythm" by the Big Three TrioBy Oscar Groomes, O's Place Jazz Newsletter
REVIEW – CD: "We Got Rhythm" by the Big 3 TrioBy Jim Santella, Cadence Magazine
NEWS RELEASE – John Cocuzzi named "Jazz Ambassador 2007" at AZ Classic Jazz Festival – Chandler, Arizona
ARTICLE – 2 articles on the West Texas Jazz Party in May 2009.
ARTICLE – "Swing & Jazz Preservation Society January 15, 2008 Concert: ED POLCER AND HIS JAZZ ALL-STARS" – by Mort Mozar
ARTICLE – "The Day John Cocuzzi’s Band Almost Blew the Roof Off the Glendora Ballroom" – by Nicolette Modaber
ARTICLE – "Jazz in Mountain Time: Summit Jazz is Top-Level Music" – by Bob Lynn
ARTICLE — (Riverwalk Radio) "The Swing Shift: Jazz on Late-Night Radio" – by Don Mopsick

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© 2008 John Cocuzzi Live Music Performance and Event Production — Vibraphone/Piano/Drums/Vocals

Wednesday, January 6, 2010

Steve Wolf The Man Is A Ninja!

Steve Wolf, bassist, has been a fixture on the Washington music scene since the late 60s. During that time he has performed throughout the United States and Europe with such D.C. area notables as Danny Gatton, Tom Principato, The Nighthawks, Cathy Ponton-King, Catfish Hodge, Deanna Bogart, Bob Margolin, Linwood Taylor, Ron Holloway, Big Joe Maher, Jessie Yawn, and a diverse group of national artists ranging from Chuck Berry, The Coasters and Bo Diddly to Doctor John, Brian Auger and sax man Clarence Clemons. His well respected work in the blues arena has led him to back Chicago blues legends Sunnyland Slim, Pine Top Perkins, Charlie Musselwhite, Guitar Junior (Luther Johnson), and many others. Steve has also garnered an impressive list of recording credits as both a performer and producer. To read more about Steve, visit

Monday, January 4, 2010

Chuck Underwood The Man With The Larger Than Life Sound

Chuck Underwood has been an in demand guitarist for more than 20 years performing and recording with some of Washington, DC's most respected musicians. Chuck has performed as a guest soloist with the National Symphony and as part of Patti LaBelle's touring band, appeared on The Tonight Show, Showtime At The Apollo and venues worldwide.

Currently Chuck works with Pam Bricker, The Manny Bobenrieth Ensembleand leads his own jazz trio. Chuck was nominated by the WashingtonMusic Association for best instrumentalist in 2002.

Chuck adds his work to "Under The Sea" and "Josie" on Urban Funks Heroes And Legends